Also in this pack, there are three complete folders of grooves (ranging from 70 to 120 BPM and many different key signatures), one-shots of many chords, and FX.ĭIRECT FUZZ: The Beatles’ “Revolution” and Led Zeppelin’s “Black Dog” are two famous songs that have that direct fuzz sound. It’s rich in tone, and when combined with the Galanti, it sings.

JHS MINI FOOT FUZZ: I’ve been a fan of JHS pedals for a long time, and their mini foot fuzz is my favorite fuzz pedal they make. The sound of this pack will inspire you to create more beats and write more songs! The grooves folder contains a slew of riffs at 10 different BPMs and keys signatures the FX has a number of freaky and exotic sounds to sprinkle in your tracks and the one-shots folder has three octaves of every note played on the Galanti to build your own patches. In the pack, there are three different folders: FX, Grooves, and One Shots. Out of all the fuzz pedals I tried at the time, I was the one that my bass reacted best to, in my opinion. It’s the first fuzz pedal I owned (which I bought for bass), and to my ear, it’s how fuzz should sound, especially on bass. THE RUSSIAN: My 90s Big Muff has been with me for a long time. To record these sessions, I used a VOX AC-30 as the amp, along with a basic Shure 57 as a microphone into an 512c API preamp into an UAD Apollo interface. The Galanti has so much character, especially with gnarly/in-your-face guitar parts, that when you add fuzz to it, the guitar just screams inspiration. The Galanti and a fuzz pedal just go “hand-in-hand”. This is the guitar featured in this pack, along with a number of fuzz pedals.

After completing the album, I rushed out and bought myself a 1967 Galanti Grand Prix 3003. Thanks to the co-producer of Odd Soul Julian Raymond, who lent us a number of amazing guitars, amps, and pedals while making that album, I got into discovering the late 60s lesser know Italian brands of guitars, which were knock offs of hard-to-find Fenders and Gibsons of that era. It was during the Odd Soul sessions in Los Angeles that I came across one the thing played like butter! It was so smooth but yet it had a real bite and aggressiveness to it that just inspired so many sessions with Mutemath. When I first discovered the Galanti guitar, I was in heaven. *Preview is mixed with only samples from this pack EXCEPT for drums.

Galanti guitar serial number